
didn't show why i haven't been blogging my life for a few days (she weighed 7 lbs 10 ounces):

I'm sitting in my morning spot. I get up before the sun, make a cup of coffee and sit for hours, getting up only when nature calls. And even that I postpone as long as possible.
On my lap is a cool new 'lap desk' with a hole in the center that helps to keep my laptop from burning my left thigh as it did for the many months before I found the foam and cardboard wonder. I lean back, legs raised, in an Ethan Allen recliner. It has maroon cushions and cherry wood armrests wide enough to hold my cup of coffee. There are wooden slats on each side - arts and crafts style. It is one of six matching pieces of furniture in this, my living room.
As odd as it sounds this furniture, or the thought of this furniture, helped ground me during a difficult, sleepless night back in fall of 2005; I was trying to sleep on a cot in a giant, noisy tent that slept fifty or more. It was a tent city in Baton Rouge LA and it had been built by FEMA to house Katrina relief workers. The National Health and Human Services had picked me as one of the thousands who had volunteered. I felt like I had hit the lottery.
The summer before, Pat and I decided it was time to get rid of the collection of hand-me-downs and Goodwill treasures that had served us well for many years. We were both professionals, after all, and wasn’t it time we had a set of matching living room furniture? It was to be delivered while I was away.
As I lay there the first night, feeling silly in my nightgown, (how did everyone else know to bring pajamas?) I was sure I wanted to be there but oh, so unsure I’d be competent to the next day’s tasks. But, instead of fretting, I thought about what the furniture would look like in my living room. I placed and moved each piece in my head as I tried to fall asleep. It helped me remember I had a living room. A living. A room. A house and a home to return to. Gratefully, I fell asleep.
Gratefully I went to work the next day, and the day after that, sharing my skills and giving my heart to people of all ages, status, and genders in shelter after shelter full of grieving, newly homeless victims of devastation that was not only the result of the natural disaster named Katrina, but also local and federal government ineptitude.
I finished my stint, a peak experience in my life, but I was not the same person
when I returned home. I had a renewed appreciation for the vulnerability and preciousness
of life, a new found respect for the constant fight to prevent entropy and chaos and incompetence from reigning.
And in truth, I was almost surprised to find new furniture in my living room when I returned, so far from my past, from my life, had I roamed in those two short weeks.
While writing about his deeply personal experience, Nick Flynn focused a sharp light on one of our society’s failings in “Another Bullshit Night in Suck City”. He peppered his book with short vignettes of the lives of the downtrodden, which helped to illuminate, at least for this reader, the impact of our cultural neglect and/or misunderstanding of both the causes and consequences homelessness. He showed us in great detail the potential harm that can come from addiction, mental illness, poverty, or generational/parental incompetence, especially when they overlap as they often do.
Through honest reflection Nick Flynn allowed us to accompany him on his transformative journey. Throughout the book he maintained respect for human dignity, even when the characters’ own self-dignity appeared to have vaporized. The book included humor, which was difficult given the intensity and sadness of much of the material, and irony. In addition, there were some very tender scenes, which really gave the book its heart.
The book has a nice balance of lyric and narrative style. There was an eloquence of language throughout the prose, but there was one chapter in particular that stood out: “Same Again” p 221 was quite powerful. This is one I would use (with permission, of course) in my teaching about addiction for my family medicine trainees. But I was also drawn to find out what happened next to Nick and his father, as well as to see where their new and tenderhearted relationship would take them. For me, it was this narrative arc and the narrow narrative distance - the intimacy with which he dealt with his subject matter - that was most compelling. In many cases it felt as if he were writing, and we were observing, life’s very moments as he lived them. An example was the moment he videotaped his finger as he pushed the bell that would ring up in his father’s Section 8 apartment.
Each chapter stood, if not alone, on its own merit. There was much ‘experimentation’ with chapter styles, which I enjoyed, especially the italicized comments that popped into the prose, most of which were quotes from his father. I was less interested with the chapters done in play format; these left me a bit confused and didn’t add much to my understanding of plot or the characters.
The overarching metaphor of the lifeboat was woven into the stories in various ways beginning with his grandfather’s legacy of having invented one. In addition, Nick lived in isolation on a boat for many of his difficult years. There were many variations on saving one another in the book, for example: Jonathan thought his book would save him, Nick and his buddies worked to save the hopeless and sometime helpless men in and out of the shelter, and finally, and perhaps the theme of the book - would/could Nick be a lifeboat for his father?
The most interesting part of the book for me was that Nick and his father seemed to be living parallel lives. Each struggled with the push and pull, away from / then towards one another, (mostly push). Each struggled with relationships, addiction, and the love and loss of Jody. Both spiraled down. In fact, part of the appeal of the book was to find out how low they might go, and whether or not they could, or would, be able to climb back out.
I loved the final chapter; it captured this character, his father, very well. This was something Nick had to piece together and build for himself year after year (and for us chapter by chapter) - his father was at once grandiose, narcissistic, funny, addicted, demented, irritating, unpredictable, and … incredible. And, thanks to the clarity and honesty of his writing, credible.
Ultimately, it seems, Nick accepted who his parents were, and weren’t. What his life was, and wasn’t. This, along with some formal- and self-education and recovery from addiction, allowed him to transform his life into one he could, and would, enjoy living.